Learn Tabla Online

Discover the Benefits of Learning Tabla Online with Live 1-on-1 Classes

Learning tabla online offers a range of unique advantages, especially when you're guided by an experienced teacher like Manjeet Singh. Here's why enrolling in online tabla classes can be a transformative experience for any music enthusiast:

• Live One-on-One Sessions: Every session is conducted live—no pre-recorded videos. You get individual attention in real-time for faster and more effective learning.

• Flexible Scheduling: Choose your preferred time and days to learn tabla based on your schedule. Perfect for working professionals, students, or anyone with a busy lifestyle.

• Learn directly from an Expert: Interact and practice directly with Manjeet Singh, who brings years of experience in classical and contemporary percussion.

• Personalized Guidance: Get tailored feedback and coaching as you improve in tabla.

• Step-by-Step Live Demonstrations: Each concept is taught through live, clear demonstrations to ensure you fully understand the techniques and rhythms.

• Traditional Classroom Feel—Online: Experience the same interactive and engaging learning environment as you would in a traditional classroom, but from the comfort of your home.

• Save Time and Travel Costs: Eliminate the need for commuting while enjoying a high-quality music education from wherever you are.

• Recognized Certification: Appear for online music exams through Gandharva Mahavidyalaya Mandal, a government-recognized institution for Indian Classical Music certification.

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The Rich History of Tabla – Origin and Evolution

Before exploring the world of online Tabla classes, it's important to understand the fascinating history of the Tabla, one of the most iconic percussion instruments in Indian classical music.

The Tabla is a globally recognized instrument and holds a central place in Indian musical traditions. Its origin dates back nearly 300 years, making it a relatively modern instrument compared to other classical Indian instruments.

It is widely believed that the Tabla evolved from the Pakhawaj, a traditional barrel-shaped drum. This transformation is often attributed to the legendary musician Ustad Siddhar Khan Dhadi of the Dhadi Samaj, originally from Punjab, who is regarded by many as the founding figure of the modern Tabla. Through his innovation, the single-headed Pakhawaj was restructured into a pair of drums—known today as the Dayan (right drum) and Bayan (left drum)—giving birth to the Tabla we know today.

Over time, as Tabla spread across various regions in India, different styles and techniques emerged based on local influences, languages, and musical expressions. These diverse approaches eventually led to the development of six prominent Tabla Gharanas (schools or traditions):

1. 🪘 Delhi Gharana

2. 🪘 Lucknow Gharana

3. 🪘 Ajrada Gharana

4. 🪘 Farukhabad Gharana

5. 🪘 Punjab Gharana

6. 🪘 Banaras Gharana

Each Gharana has its unique playing techniques, compositions, and teaching methodologies. They have made significant contributions to the depth and diversity of Tabla playing across generations.

Whether you are a beginner or an advanced learner, understanding the history of Tabla provides valuable context for your learning journey—especially when you embark on it through online Tabla classes with expert guidance.

Syllabus

BEGINNER:

Sec-1: Basic Tabla Bols - Basic Exercises - Ta Tin Tin Ta/ Teen Taal Theka - Basic Kayda 1/2/3/4 - 2 Kaydas (Delhi Gharana) - 2 Kaydas (Punjab Gharana) – Rela (Basic) – Rela (Punjab Gharana) - 5 Tukdas (Delhi/Punjab)

Sec 2: Theka and Info of Roopak, Jhap Taal, Dadra, Kehrwa, Ektaal - Solo in Rupak (Based on Sem-1) - Intro with Kehrwa and Dadra Taal Thekas and Some Laggis with Tihai.

INTERMEDIATE:

Sec-1: Teen Taal Intermediate Solo including (Peshkar, Kayda (2) - Punjab Kayda (1) – Rela - 5 TukraS (Delhi, Punjab, Banaras, Lucknow) - Chakrdar - Farmaishi Chakardar - KamaliChakardar – Gat (Delhi Gharana).

Sec 2: Solo in Roopak (Peshkar, Kayda (2) - Rela - 5 Tukras, Chakrdar - Farmaishi Chakardar - Kamali Chakardar - Gat (Delhi Gharana).

Sec 3: Solo in Jhaptaal and Ektaal (Based on Sem:1) - Kehrwa & Dadra uthaans, Laggis and tihais.

ADVANCED:

Sec-1: Advanced Solo in Teen Taal - Jhap Taal - Ek Taal - Mat Taal - Char Taal Ki Sawari and Pancham Sawari

Sec-2: Kehrwa, Dadra, Roopak, Deepchandi, and Jhaptaal Light Music accompaniment techniques and syllabus

Sec 3: Rare Gharanedar Compositions of Delhi, Punjab, Lucknow including Gats, Kaydas, Tukras, Kayda, Relas, and more.

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